Archive for July, 2008
How To Become Friends With Your Inner Critic
Songwriting Zen reader and good friend Matt Clearing brought up an interesting point in a comment he posted yesterday in response to my Cal Williams Jr Songwriter Spotlight.
He mentions in his comment that:
“…this is the second time I’ve heard something negative about the inner critic on songwriting zen, and I have to stand up for this oft-maligned contributor to the creative process.
I can faithfully attest to my inner critic forcing me to re-evaluate my music and songs again and again, taking songs that were crap and putting them where they belonged (the circular file), fixing lazy songwriting, and generally making my music better than it would otherwise be.
While I agree that it’s important to keep one’s inner critic from becoming a crippling obstacle to any productivity, I owe what meager level of quality my music has to that curmudgeonly naysayer within, and my music would be even lamer were my inner critic not there to tell me when something sucks…”
Reading this got me thinking that maybe I have been too harsh on the little voice we all have inside of us.
Perhaps it would be a good exercise for me to discuss the positive aspects of having an inner critic using Matt’s comment as a template.
It’s my belief that a songwriters process is only as effective as their ability to win over their daily battles with their inner critic however, Matt states that his inner critic actually helps his songwriting process by:
“…forcing me to re-evaluate my music and songs again and again, taking songs that were crap and putting them where they belonged (the circular file), fixing lazy songwriting, and generally making my music better than it would otherwise be.”
We all have voices inside our heads that warn us, caution us, praise us, critisise us and generally keep us honest.
Some people call it their conscience, some say its their intuition. Some say these voices have saved lives.
Getting back to writing songs, whatever you want to call it, the most important thing is that you use this voice to work with your songwriting, not against it.
What Matt’s saying is that he uses his relationship with the voice inside to work for him.
Maybe turning the inner critic into an inner ally is the challenge that all songwriters must rise up to.
You can never get rid of the inner critic but I do believe (after reading Matt’s comments) you can become friends with it. How we, as songwriters do that will make interesting reading in the future.
Until next time, happy writing,
Corey Stewart
Singer/Songwriter/Musician
PS: Thank you Matt for inspiring this post. I really appreciate your feedback
Keywords: songwriting, songwriter, songwriting tip, songwriting help, songwriting idea, songwriting resource, songwriting blog, corey stewart
Songwriter Spotlight – Cal Williams Jr
Today I would normally blog about my guitar lesson with Cal Williams Jr.
However, as I had a four day break without my guitar I wanted to spend another week practising before receiving new information so instead I thought I’d introduce a new category to the Songwriting Zen blog called “Songwriter Spotlight”.
I want to showcase other songwriters that I know or I want to know and ask them a series of questions about themselves, how they got into writing songs and their songwriting process.
It’s my hope that their answers will spark something in your own mind about what you do and how you write.
I know it will for me.
The first songwriter to be put under the spotlight is Cal Williams Jr himself. It’s the least I can do for canceling my guitar lesson with him.
Name:
Cal Williams Jr
URL:
www.myspace.com/calwilliamsjr
Musical Genre:
Folk/Blues
Years writing:
15 years
Words or music first:
Music
Why do you write:
I write because it is natural for me to be creative.
I love the feeling of carefully crafting a song and watching it twist and turn underneath my fingertips. When it is complete I love hearing it evolve and grow independently of me until it becomes a song for everyone.
Songwriting to me is a limitless expression of life’s journey that changes and colours with new experiences. When I make a record it is a record of new friends, new loves and new places.
How do you write:
When creating a song I usually play around with the guitar melodies first and work my vocal lines around the notes I play in the scale or chord. The lyrics are constructed first as working lyrics and then allowed to form naturally at repeated sittings with the guitar.
What inspires you:
My first real songwriting musical influence was the late sixties/early seventies era British fingerstyle folk/blues guitarists such as Nick Drake, John Martyn, Bert Jansch, Davey Graham, Dick Gaughan and John Renbourne. I was also inspired early on by Delta Blues guitarists such as Son House, Skip James, Lightning Hopkins and Blind Willie Johnson.
Literature wise I am a huge fan of 1950′s beat poets such as Jack Kerouac, Alan Ginsberg, Gregory Corso and the writings of Kurt Vonnegut and Charles Bukowski.
I find I also gain incredible songwriting inspiration from classic seventies road movies such as Paris Texas, Vanishing Point, Five Easy Pieces, Midnight Cowboy and Easy Rider.
Inspiration for me also comes in the form of train journeys, sunsets, oceans, conversations, good friends and late nights.
Most important aspect of songwriting:
The most important aspect in any kind of human emotional communication is honesty. Songs that are written purely from the heart achieve more longevity as they are sincere reflections of a particular emotion and/or experience.
Advice for beginners:
My advice for anyone starting out on the road of being a songwriter is to stay focused.
Songwriting is a craft that evolves with experience and the more you write the better you become. Songwriting is very much about the journey and not the destination.
Keep challenging yourself with new chords and tunings and musical genres. Absorb as much music as you can and learn how great songs are made.
Never compare your songwriting progress with any other songwriter. We are all on the road travelling at our own pace and in different directions. Comparison will only lead to negative emotions such as jealousy and inferiority.
Protect your creative mind by avoiding negative and unconstructive criticism and controlling your inner critic.
Feed your creative mind with a healthy diet of books, poetry, music, art and film and avoid watching too much T.V.
Always write from your heart and enjoy the process of creating a song that you are proud of. The true rewards of being a songwriter have nothing to do with monetary gain.
Songwriting goals:
My songwriting goals are simple. Keep on writing.
There are so many musical avenues to explore as a songwriter that the possibilities are literally endless. As I have said, songwriting is the journey not the destination.
The moment you feel that you have ‘arrived’ at the best song you will ever write and feel you have exhausted all songwriting directions is the day you stop being a songwriter.
Fortunately for most of us that day will never come. There are always new chords and scales and tunings and poets and books and music to discover that will take your songwriting in new directions.
At the moment I have released seven albums of original songs.
I love seeing them sitting on the shelf as they are all testaments to different stages in my life. I remember the subject matter, where I was, the musicians I recorded with, the studio and how I was feeling at the time.
Those memories are now sealed inside each and every song I have written and I enjoy looking back and remembering how I felt.
My goal now is to write the next album. And then the next and then the next.
Anything else to add:
I would like to leave this conversation with an excerpt from a poem by Charles Bukowski. I was introduced to his work by a good friend in Leeds, England who I met whilst busking and travelling in the U.K.
This poem is one of three main poems that have inspired me at different stages of my songwriting career. The other two being ‘Song of the Open Road’ by Walt Whitman and ‘Essentials of Spontaneous Prose’ by Jack Kerouac, both of which I highly recommend seeking out and reading.
© Charles Bukowski
if it doesn’t come bursting out of you
in spite of everything,
don’t do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don’t do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don’t do it.
if you’re doing it for money or
fame,
don’t do it.
if you’re doing it because you want
women in your bed,
don’t do it.
if you have to sit there and
rewrite it again and again,
don’t do it.
if it’s hard work just thinking about doing it,
don’t do it.
if you’re trying to write like somebody
else,
forget about it.
****************************************
In his music, Cal displays a perfect balance between the intuitive and the theoretical aspects of songwriting.
He writes from the heart but at the same time is inventive and creatively intelligent in his approach without being too clever for his own good.
I recommend that you check out his stuff. You won’t regret it.
Until next time, happy writing,
Corey Stewart
Singer/Songwriter/Musician
Keywords: songwriting, songwriter, songwriting tip, songwriting help, songwriting idea, songwriting resource, songwriting blog, corey stewart
Absence Really Does Make The Heart Grow Fonder
I’ve just come back from my four day break and I feel all inspired again. It’s amazing how getting away from it all makes you want to get back into songwriting even more.
While I was away I did give my answering machine a bit of a workout though. I manifested six songwriting ideas and they were all waiting for me when I arrived at the office this morning.
Having four days without looking at a computer or using a mobile phone is quite a liberating experience. I didn’t realise how attached I was to my toys until I was without them.
After half a day I experienced all the hallmarks of withdrawl symptoms. I was worrying about who I needed to call, what plans I was making next week, what I needed to do. The chatter in my head was becoming unbearable.
Once I caught myself out I forced myself to stop worrying and start enjoying, and enjoy myself, I did.
What I’ve learnt from the last four days is that I should take a week off at least every three months. I’ve said that to myself in the past but this time I’ve blocked out the time in advance and nothing will stand in it’s way.
Sometimes, you just need to distance yourself from your work.
By giving yourself a well deserved rest you’re telling yourself that you’re loved and validated by the most important person in the world. YOU!
And besides, absence really does make the songwriting heart grow fonder.
Until next time, happy writing,
Corey Stewart
Singer/Songwriter/Musician
Keywords: songwriting, songwriter, songwriting tip, songwriting help, songwriting idea, songwriting resource, songwriting blog, corey stewart
Using Your Answering Machine To Capture Songwriting Ideas
As of tomorrow (Thursday July 3rd) I’m going away for some well earned R&R for a few days.
I’m not going to be blogging until Monday July 7th which also means that I’ll be three days into my 50/90 challenge when I return.
My intention over the break is to relax, enjoy myself and not be near any computer and mobile phone for that time. I will make one exception though.
If a songwriting idea comes into my head I’ll be phoning my answering machine either at home or the office and leaving a message. I’m anticipating a lot of songwriting ideas on my return.
What a way to catch up on the three days I’m missing out on.
You know I’ve probably said this before but the answering machine is one of the best songwriting tools around.
There are some situations when it’s not very practical to carry a recording device or even a notepad around with you however, you’ll always have your mobile phone (or cellphone if you’re in the states) close by.
When a songwriting idea pops in your head just excuse yourself and use it.
Call home and hum the idea. Beatbox the rhythm if you have to. Do whatever you can to preserve the moment.
That’s what I’ll be doing.
To all you taking on the 50/90 challenge I wish you all the best. Lets all help and support each other to achieve whatever goals we set for ourselves. My biggest challenge is not musical ideas but writing lyrics.
Any lyricists out there that want to help me out, let me know. In the meantime, my getaway awaits.
See you all Monday.
Until next time, happy writing,
Corey Stewart
Singer/Songwriter/Musician
Keywords: fawm, 50/90, 50 song challenge, songwriting contest, songwriting, songwriter, songwriting tip, songwriting help, songwriting idea, songwriting resource, songwriting blog, corey stewart
Guitar Lesson – July 1st, 2008
As I mentioned last week in “My First Guitar Lesson – An Introduction” I’m getting lessons with my good friend and very talented guitarist and songwriter Cal Williams Jr.
Last weeks lesson was a chance for Cal to discover what I knew and what I didn’t know.
We covered a lot of groundwork and by the end of the lesson my brain was starting to hurt however, I was surprised by how much information my hurting brain was retaining.
Cal asked me what I wanted from the lessons and then we got onto scales. The limit of my lead guitar playing at this stage consisted of three things:
- A major scale
- A fractured version of a pentatonic scale
- An assortment of licks and riffs
In one lesson I learnt a G major pentatonic scale, a G minor pentatonic scale and something called a “Major pentatonic third finger ascending slide in G Major”.
Whew! What a mouthful.
This week we got really stuck into scales. By the end of the lesson I was able to play a G Major pentatonic scale in five different positions (albeit very badly) which will eventually enable me to play all over the fretboard.
Now, if this sounds confusing well, join the club. I’m still coming to terms with all this information as well but it’s interesting what I’ve been able to pick up along the way.
With this new found knowledge I now know what to practise, what I want to achieve in my practise and how to go about achieving what I want to achieve.
This was something that, as a self taught guitarist, I was never able to do effectively.
How does this help me with my songwriting I hear you say…
Well, a better understanding of the relationship between notes, chords and the guitar fetboard itself will help me find melody and structure in my guitar playing which in turn enables a more efficiant translation of songwriting ideas from my head to paper.
I love the way that Cal explains things and backs them up with practical examples. He is a teacher who is still in love with his instrument. A very rare breed indeed.
I’ll keep you posted on my progress.
Until next time, happy writing,
Corey Stewart
Singer/Songwriter/Musician
Keywords: guitar lesson, songwriting, songwriter, songwriting tip, songwriting help, songwriting idea, songwriting resource, songwriting blog, corey stewart
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